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Army, Flag, and Cross
Reverie on a Ribbon
By Stephen J. Gallagher
When Fascism arrives it will be wrapped in a Flag and carrying a
Bible.
—Sinclair Lewis |
26/08/08 "CSH" -- - -Brilliant. It was the first word that came
to mind when I saw the bumper sticker. The vehicle ahead ground
slowly through rush-hour traffic. I had time to study it, to
think about what the thing meant.
It was yet another variant on the ubiquitous American “yellow
ribbon.” Across the front, on a field of yellow, were the words
“Support Our Troops.” The ribbon looped back and showed a field
of white stars on a blue background, evoking the American flag.
The cleverest part of the ribbon was the last section, hanging
below the “Support Our Troops” slogan. It was red-and-white
striped, intended to carry forward the American flag theme. But
a subtle suggestion of a white sunburst joined with the vertical
white stripe and overlaid it with a faint horizontal white
stripe. It didn’t take me more than a few seconds to realize
that this was intended to be a subtle evocation of the Christian
cross.
There it was encapsulated, complete, uncut, pure: the symbolic
essence of an America that has drifted far from civilization, an
America that has grown very, very strange. The America that
bumper sticker symbolizes has left behind the world of rational
nation-states and slipped off into a sentimental realm of
Romanticism.
Romanticism is a worldview that privileges strong emotions such
as pride, horror, and awe. (The ominous, drum-beating music that
opens American news broadcasts today screams “War! Terror! Fear!
Pride! Revenge!,” striving to derange the viewer’s senses and
conflate these primitive emotions with a feeling of patriotism.)
Additionally, Romanticism privileges the individual imagination
as the single, unshakable source of truth, which stems from the
American insistence on a “personal relationship with God” rather
than traditional hierarchical religious practices. When speaking
of Romanticism, as Baudelaire pointed out, it is not the truth
of the thing in question that is important but rather the
overwhelming personal emotions that the thing inspires.
Such is very much the case with America’s fetishistic
Romanticism. At the political level, Romantic nationalism takes
as its starting point the “white man’s burden” and America’s
unique world-historical mission to “bring” democracy to the
benighted peoples of the world.
We need to look closely at that ribbon, understand its
symbolism, and above all understand how its dangerous Romantic
sentimentalism plays out in the real world.
America has always been besotted with religion. The Puritans
abandoned Europe because their religious lunacy put them beyond
the pale of acceptable behavior. Considering that during these
years Europe was knee-deep in blood from its many religious wars
and witches were being routinely hanged and burned for
consorting with the Devil, the idea that this group was too
extreme speaks volumes.
While Europeans are more secular, Americans remain a people for
whom the Devil is real. Our nation’s history bristles with
Romantic religious enthusiasms, revivals, and fundamentalist
upsurges. The forward march of civilization has done nothing to
dampen this.
One is often left speechless after reading the public
pronouncements of high-ranking military personnel—pronouncements
more suitable to Europe at the time of the Crusades than to a
developed country in the opening years of the new millennium.
For example, we have the infamous “Christian Soldier,” General
William G. Boykin, strutting in full dress uniform and thumping
his chest as he proclaims to gatherings of hard-Right religious
groups: “We, in the Army of God, in the Kingdom of God, have
been raised for such a time as this!” General Peter Pace,
seemingly a sensible and levelheaded Marine who rose to head the
Joint Chiefs of Staff, once defended the leadership of former
Defense Secretary Donald Rumsfeld by stating, “He leads in a way
that the good Lord tells him is best for our country.” This
increasingly brazen willingness of our top military leaders to
publicly “witness for faith” is alarming, to say the least.
Yet more alarming is the well-organized, brilliantly executed
strategy of “breeding up” the next generation of
religious-lunatic military personnel, starting as early as the
preteen years. America is experiencing an explosion of
organizations that resemble the “youth on the march”
organizations so often seen in totalitarian nations during the
last century.
The Christian youth movement Battle Cry holds massive gatherings
in stadiums and other large public venues all over America. The
rallies are high-energy, high-concept, and driven by the
frenetic musical beat of a shoot-em-up video game. Live “action
figures” of Navy SEALs and other military paragons charge
onstage, screaming to the crowd that they are proud “Christian
warriors” and acting out scenes from “the war against Islamic
Fascism” while they brief the stadium full of kids on their
heroic future as part of the “battle plan for Jesus.” These
disturbing antics are followed by the reading of an endorsement
of Battle Cry by George W. Bush, a moment that sends the
thousands of overwrought young people into paroxysms of
testifying, swooning, weeping, and general adolescent hysteria.
This combination of testosterone-laden posturing paired with
military and Christian symbolism is a brilliant recruiting tool
for the apocalyptic “long war” that so many on the religious
Right crave. One hopes those kids will wake up the next day
feeling the way kids do after a night of binge-drinking and
slam-dancing: beat-up, sheepish, and resolved never to engage in
that particular form of idiocy again. One suspects not; most of
these kids have never felt such overwhelming emotional and
physical excitement in their entire lives, and they are going to
want more.
Coupled with the resurgence of a broad-shouldered, muscular
Christianity is a fetishistic new obsession with the Stars and
Stripes as a quasi-religious object. There has always been a
certain sentimental attachment to the flag in American culture
(phrases like “Old Glory” and songs like “She’s a Grand Old
Flag” are not recent inventions), but since the events of
September 11, 2001, the irrational defense of the flag as a
physical object has become increasingly strident. Everywhere one
turns in America, the iconography of The Flag is thrust into
one’s face in a way that I have never before seen in my
lifetime. The most disturbing aspect may be the premise that the
flag itself may not be burned or otherwise “desecrated.” Perhaps
alone among the nations of the world, America has decided that
the actual, physical flag—rather than the ideas it
represents—must be kept physically pure and protected from the
ravages of the unworthy.
Flag worship in America has revealed a deep well of Romantic,
fetishistic thinking, imbuing an object in the physical world
with some sort of ineffable mojo. Such behavior is a form of
emotional voodoo. Flags are not to be worshipped in a free and
democratic state.
Free democracies also do not worship their armies. When they
think about them at all, they regard them as necessary evils.
For over two hundred years, America kept faith with George
Washington’s caution that “overgrown military establishments are
under any form of government inauspicious to liberty.” Even at
the height of the Cold War, the military was never glamorized as
it is now. It is impossible to find anything like the current
Army worship anywhere in American history; indeed, to find any
equivalent in the twentieth century, one must turn to such
totalitarian societies as Nazi Germany, the USSR, North Korea,
or Saddam’s Iraq. The title of a 2007 “ultimate fighting”
television program—Warrior Nation—sums up the new order of
things. Modern America sees itself as the new Sparta. And in the
new Sparta, the imperative to worship the warrior class is one
of the few taboos that must never be violated.
Unlike other Western countries whose citizens have come (through
centuries of bleeding) to view war as a horrible aberration—a
failure of rational solidarity—America’s Romantic nationalists
embrace the prospect of spending years, decades, and even
centuries in the righteous work of fighting the long war to “rid
the world of evil.” The “warrior” is fetishized and lifted to a
place beyond any possibility of criticism. Implicit in the
mantra “Support the Troops” is a hissed addendum: Or else!
Review the images in your mind: Grainy newsreel footage of
Hitler “blessing the colors.” The massive, militarized May Day
love fests in Red Square. The manic triumphalism of military
parades staged by every tin-pot dictator ever to reign in the
Third World. And realize that now it is America’s turn.
America has begun to worship the professional military class
and, more ominously, to glorify military ideals. The unspoken
demand is that the civilian population must now embrace these
same values and glorify these same things. Woe betide anyone
foolish enough to challenge this new national religion.
One important facet of this Army worship reveals it for the
sentimental and Romantic thing that it is: Americans love their
military, but in great numbers they refuse to serve in it and
refuse to let their kids get lured into serving in it. Yet these
“latté liberal” suburban parents who work so hard to make sure
little Melissa and Cody don’t get any crazy ideas about joining
up are the first to chant the tribal mantra: “Condemn the war
but not the warrior.” How very problematic this new mantra is—as
if one could actually decouple the policy from those who
voluntarily implement it.
At what point in our history did blind obedience to bad orders
become a virtue? Does it make sense to lionize people for doing
something that our rational minds tell us is an extremely bad
idea? If one opposes the war, how can one support the troops and
still claim to be thinking rationally? Doing so has the stench
of bad faith. If the people at the top giving the orders are
complicit, the people who pull the triggers share in that
complicity. No one is innocent; we all own our own decisions.
The evasions Americans prefer in order to give “the warriors” an
easy out tend to fall into two categories: “Blame the
decision-makers, not the warriors,” and “They only enlisted for
economic reasons.” These rationales are alibis and clumsy ones
at that.
The first alibi is easily disposed of. Principle I of the
Nuremberg Tribunal (to which the United States was a signatory)
states that “any person who commits an act which constitutes a
crime under international law is responsible therefore and
liable to punishment.” Lest anyone complain this is too vague,
Principle IV gives us all the clarification we need: “The fact
that a person acted pursuant to order of his Government or of a
superior does not relieve him from responsibility under
international law, provided a moral choice was in fact possible
to him.” And let us be clear: one always has to make clear moral
choices. There are moments, as Camus reminds us, “when
everything becomes clear, when every action constitutes a
commitment, when every choice has a price.” This is one of those
moments, and to pretend that the people pulling the trigger are
not in a very real sense decision-makers is both naïve and
absurd. Even at the lowest rungs of the ladder of command,
refusal to say “no” is tantamount to complicity.
The second alibi is popular among many Americans, including
leftists. In November 2006, The New York Times analyzed the
demographic patterns of military recruits and discovered that in
fact they are slightly better off in terms of education,
neighborhood, family income, and job prospects than the
population as a whole. Are some American soldiers in Iraq there
for economic reasons? Sure, but not very many. Did some sign up
for the chance to go over and blow away some “rag-heads”? Of
course; armies throughout history have always attracted their
share of sociopaths. But after removing these two small groups
from the list, we are left with the vast majority who went
voluntarily and for their own reasons. They made a moral
decision. They made a choice. Having made their free choice, are
they somehow magically immune from all blame?
They are immune because they are granted immunity from blame by
the sentiment of the American people. They are given the alibi
of the “pure warrior” because the donning of the uniform has
become equivalent to the donning of priestly vestments in an
earlier age. The “warrior” is immediately sanctified, justified,
raised up beyond all criticism from us lesser mortals who lack
the moral fiber to wear the vestments. The American people,
living in the midst of this enormous superstructure of myth and
alibi, are incapable of understanding that they have armored
themselves against evil by manufacturing not the new Sparta, but
rather a dystopian and sentimental dreamland.
In America, it appears that the more pathological the coupling
between army, flag and cross, the greater need there is to honor
“the warrior.” We should be clear on the fact that this is not
necessarily something new. This way of thinking was never more
clearly expressed than by Secretary of War Elihu Root, who in
1899 declared, “The American soldier is different from all other
soldiers of all other countries since the world began. He is the
advance guard of liberty and justice, of law and order, and of
peace and happiness.”
As these words were being written, American soldiers in the
Philippines were in the early stages of a near-genocidal rampage
that would kill more than six hundred thousand Filipinos. Not
new, this warrior-love, but rampant now and metastasizing.
The American mythos today is saturated with the Holy Trinity of
God, the flag, and the armed forces. All are glorified and
sanctified in a manner that is overtly sentimental, Romantic,
and irrational. These three pillars of American society support
an invigorated sense of Manifest Destiny, a wonderful feeling of
exceptional purpose that was lost after the collapse of Soviet
communism. Americans are excited again: standing tall, feeling
the pride, and above all, “on the march.” This toxic mix of army
worship, flag worship, and God worship has erupted in a nation
where every hope and fear can be rendered down to a slogan on
one of the many variations on the yellow ribbon. The irony of it
all is that the yellow ribbon was originally a symbol of the
grinding, endless sense of victimhood that Americans felt during
the Iran hostage crisis. Americans everywhere showed the yellow
ribbon because there was quite literally nothing else they could
do about the situation except sit there and take it. For those
of us who live in America—and for the rest of the world as
well—an understanding of this dangerous liaison between rampant
militarism and the sanctified yellow fetish of the angry victim
is critically important. This yellow shroud—and make no mistake,
it is a shroud and possibly even a death shroud—is a voodoo
fetish designed to buck up the courage of a people who have, in
a few short years, devolved into a nation of frantic,
ribbon-worshipping victims.
Stephen J. Gallagher is a scholar and writer who lives in North
Carolina. A frequent contributor to Free Inquiry, Gallagher’s
work has also appeared in the Peace Review, the Monthly Review,
and the Journal of Contemporary Thought.
Copyright : Council for Secular Humanism
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