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The announcement last week by the United States of the largest military aid package in its history – to Israel – was a win for both sides.

Israeli prime minister Benjamin Netanyahu could boast that his lobbying had boosted aid from $3.1 billion a year to $3.8bn – a 22 per cent increase – for a decade starting in 2019.

Mr Netanyahu has presented this as a rebuff to those who accuse him of jeopardising Israeli security interests with his government’s repeated affronts to the White House.

In the past weeks alone, defence minister Avigdor Lieberman has compared last year’s nuclear deal between Washington and Iran with the 1938 Munich pact, which bolstered Hitler; and Mr Netanyahu has implied that US opposition to settlement expansion is the same as support for the “ethnic cleansing” of Jews.

American president Barack Obama, meanwhile, hopes to stifle his own critics who insinuate that he is anti-Israel. The deal should serve as a fillip too for Hillary Clinton, the Democratic party’s candidate to succeed Mr Obama in November’s election.

In reality, however, the Obama administration has quietly punished Mr Netanyahu for his misbehaviour. Israeli expectations of a $4.5bn-a-year deal were whittled down after Mr Netanyahu stalled negotiations last year as he sought to recruit Congress to his battle against the Iran deal.

In fact, Israel already receives roughly $3.8bn – if Congress’s assistance on developing missile defence programmes is factored in. Notably, Israel has been forced to promise not to approach Congress for extra funds.

The deal takes into account neither inflation nor the dollar’s depreciation against the shekel.

A bigger blow still is the White House’s demand to phase out a special exemption that allowed Israel to spend nearly 40 per cent of aid locally on weapon and fuel purchases. Israel will soon have to buy all its armaments from the US, ending what amounted to a subsidy to its own arms industry.

Nonetheless, Washington’s renewed military largesse – in the face of almost continual insults – inevitably fuels claims that the Israeli tail is wagging the US dog. Even The New York Times has described the aid package as “too big”.

Since the 1973 war, Israel has received at least $100bn in military aid, with more assistance hidden from view. Back in the 1970s, Washington paid half of Israel’s military budget. Today it still foots a fifth of the bill, despite Israel’s economic success.

But the US expects a return on its massive investment. As the late Israeli politician-general Ariel Sharon once observed, ­Israel has been a US “aircraft carrier” in the Middle East, acting as the regional bully and carrying out operations that benefit Washington.

Almost no one blames the US for Israeli attacks that wiped out Iraq’s and Syria’s nuclear programmes. A nuclear-armed Iraq or Syria would have deterred later US-backed moves at regime overthrow, as well as countering the strategic advantage Israel derives from its own nuclear arsenal.

In addition, Israel’s US-sponsored military prowess is a triple boon to the US weapons industry, the country’s most powerful lobby. Public funds are siphoned off to let Israel buy goodies from American arms makers. That, in turn, serves as a shop window for other customers and spurs an endless and lucrative game of catch-up in the rest of the Middle East.

The first F-35 fighter jets to arrive in Israel in December – their various components produced in 46 US states – will increase the clamour for the cutting-edge warplane.

Israel is also a “front-line laboratory”, as former Israeli army negotiator Eival Gilady admitted at the weekend, that develops and field-tests new technology Washington can later use itself.

The US is planning to buy back the missile interception system Iron Dome – which neutralises battlefield threats of retaliation – it largely paid for. Israel works closely too with the US in developing cyber­warfare, such as the Stuxnet worm that damaged Iran’s civilian nuclear programme.

But the clearest message from Israel’s new aid package is one delivered to the Palestinians: Washington sees no pressing strategic interest in ending the occupation. It stood up to Mr Netanyahu over the Iran deal but will not risk a damaging clash over Palestinian statehood.

Some believe that Mr Obama signed the aid package to win the credibility necessary to overcome his domestic Israel lobby and pull a rabbit from the hat: an initiative, unveiled shortly before he leaves office, that corners Mr Netanyahu into making peace.

Hopes have been raised by an expected meeting at the United Nations in New York on Wednesday. But their first talks in 10 months are planned only to demonstrate unity to confound critics of the aid deal.

If Mr Obama really wanted to pressure Mr Netanyahu, he would have used the aid agreement as leverage. Now Mr Netanyahu need not fear US financial retaliation, even as he intensifies effective annexation of the West Bank.

Mr Netanyahu has drawn the right lesson from the aid deal – he can act against the Palestinians with continuing US impunity.

- See more at: http://www.jonathan-cook.net/2016-09-19/palestinians-lose-in-us-military-aid-deal-with-israel/#sthash.fL4Eq28N.dpuf
Western “Culture” is Wrecking Entire Continents

By Andre Vltchek

November 04, 2016 "Information Clearing House" -  You say “European cultural institutions”, and what should come immediately to mind are lavish concerts, avant-garde art exhibitions, high quality language courses and benevolent scholarships for talented cash-strapped local students.

It is all so noble, so civilized!

Or, is it really? Think twice!

I wrote my short novel, “Aurora”, after studying the activities of various Western ‘cultural institutions’, in virtually all the continents of the Planet. I encountered their heads; I interacted with the ‘beneficiaries’ of various funding schemes, and I managed to get ‘behind the scenes’.

What I discovered was shocking: these shiny ‘temples of culture’ in the middle of so many devastated and miserable cities worldwide (devastated by the Western imperialism and by its closest allies – the shameless local elites), are actually extremely closely linked to Western intelligence organizations. They are directly involved in the neo-colonialist project, which is implemented virtually on all continents of the world, by North America, Europe and Japan.

‘Culture’ is used to re-educate and to indoctrinate mainly the children of the local elites. Funding and grants are put to work where threats and killing were applied before. How does it work? It is actually all quite simple: rebellious, socially-oriented and anti-imperialist local artists and thinkers are now shamelessly bought and corrupted. Their egos are played on with great skill. Trips abroad for ‘young and talented artists’ are arranged, funding dispersed, scholarships offered.

Carrots are too tasty, most would say, ‘irresistible’. Seals of approval from the Empire are ready to stamp those blank pages of the lives of still young, unrecognized but angry and sharp young artists and intellectuals from those poor, colonized countries. It is so easy to betray! It is so easy to bend.

Some, very few countries are almost incorruptible, like Cuba. But Cuba is a unique country. And it is intensively demonized by the Western propaganda. “Patria no se vende!” they say there, or in translation “One does not sell Fatherland!” But one, unfortunately, does, almost everywhere else in the world: from Indonesia to Turkey, from Kenya to India.

***

Aurora” opens in a small cafe in an ancient city in Indonesia (which is not called Indonesia). Hans, the German head of an unnamed cultural institute is talking to his local ‘disciples’. He loves his life here: all the respect he gets, those countless women he is sexually possessing and humiliating, the lavish lifestyle he is allowed to lead.

A woman enters; a beautiful woman, a proud woman, an artist, a woman who was born here but who left, many years ago, for far away Venezuela. Her name is Aurora. Her husband is Orozco, a renowned revolutionary painter. Aurora’s sister was killed in this country, because she refused to give up her revolutionary art. She was kidnapped, tortured, raped, and then murdered. Hans, the head of a European cultural organization, was involved.

Aurora confronts Hans, and in reality, the entire European culture of plunder and colonialism.

And that night she is joined, she is supported, by Wolfgang Amadeus Mozart, or more precisely, by his merry ghost, who is thoroughly disgusted of being used as one of the symbols of the ‘culture’ which destroyed him personally, which destroyed the very essence of the arts, and which has been in fact destroying, for centuries, this entire Planet.

***

When I recently shared the plot of “Aurora” with a local ‘independent’ filmmaker in Khartoum, Sudan, he first listened attentively, and then with horror, and in the end he made a hasty dash towards the door. He escaped, not even trying to hide his distress. Later I was told that he is fully funded by Western ‘cultural institutions’.

After reading it, my African comrades, several leading anti-imperialist fighters, immediately endorsed the book, claiming that it addressed some of the essential problems their continent is facing.

The cultural destruction the Empire is spreading is similar everywhere: in Africa, Asia and in Latin America.

I wrote “Aurora” as a work of art, as fiction. But I also wrote it as a J’accuse, as a detailed study of cultural imperialism.

My dream is that it would be read by millions of young thinkers and artists, on all continents, that it would help them to understand how the Empire operates, and how filthy and disgraceful betrayal is.

Andre Vltchek is a philosopher, novelist, filmmaker and investigative journalist. He has covered wars and conflicts in dozens of countries. Three of his latest books are revolutionary novel “Aurora” and two bestselling works of political non-fiction: “Exposing Lies Of The Empire” and “Fighting Against Western Imperialism”. View his other books here. Andre is making films for teleSUR and Al-Mayadeen. After having lived in Latin America, Africa and Oceania, Vltchek presently resides in East Asia and the Middle East, and continues to work around the world. He can be reached through his website and his Twitter.

 

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