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The announcement last week by the United States of the largest military aid package in its history – to Israel – was a win for both sides.

Israeli prime minister Benjamin Netanyahu could boast that his lobbying had boosted aid from $3.1 billion a year to $3.8bn – a 22 per cent increase – for a decade starting in 2019.

Mr Netanyahu has presented this as a rebuff to those who accuse him of jeopardising Israeli security interests with his government’s repeated affronts to the White House.

In the past weeks alone, defence minister Avigdor Lieberman has compared last year’s nuclear deal between Washington and Iran with the 1938 Munich pact, which bolstered Hitler; and Mr Netanyahu has implied that US opposition to settlement expansion is the same as support for the “ethnic cleansing” of Jews.

American president Barack Obama, meanwhile, hopes to stifle his own critics who insinuate that he is anti-Israel. The deal should serve as a fillip too for Hillary Clinton, the Democratic party’s candidate to succeed Mr Obama in November’s election.

In reality, however, the Obama administration has quietly punished Mr Netanyahu for his misbehaviour. Israeli expectations of a $4.5bn-a-year deal were whittled down after Mr Netanyahu stalled negotiations last year as he sought to recruit Congress to his battle against the Iran deal.

In fact, Israel already receives roughly $3.8bn – if Congress’s assistance on developing missile defence programmes is factored in. Notably, Israel has been forced to promise not to approach Congress for extra funds.

The deal takes into account neither inflation nor the dollar’s depreciation against the shekel.

A bigger blow still is the White House’s demand to phase out a special exemption that allowed Israel to spend nearly 40 per cent of aid locally on weapon and fuel purchases. Israel will soon have to buy all its armaments from the US, ending what amounted to a subsidy to its own arms industry.

Nonetheless, Washington’s renewed military largesse – in the face of almost continual insults – inevitably fuels claims that the Israeli tail is wagging the US dog. Even The New York Times has described the aid package as “too big”.

Since the 1973 war, Israel has received at least $100bn in military aid, with more assistance hidden from view. Back in the 1970s, Washington paid half of Israel’s military budget. Today it still foots a fifth of the bill, despite Israel’s economic success.

But the US expects a return on its massive investment. As the late Israeli politician-general Ariel Sharon once observed, ­Israel has been a US “aircraft carrier” in the Middle East, acting as the regional bully and carrying out operations that benefit Washington.

Almost no one blames the US for Israeli attacks that wiped out Iraq’s and Syria’s nuclear programmes. A nuclear-armed Iraq or Syria would have deterred later US-backed moves at regime overthrow, as well as countering the strategic advantage Israel derives from its own nuclear arsenal.

In addition, Israel’s US-sponsored military prowess is a triple boon to the US weapons industry, the country’s most powerful lobby. Public funds are siphoned off to let Israel buy goodies from American arms makers. That, in turn, serves as a shop window for other customers and spurs an endless and lucrative game of catch-up in the rest of the Middle East.

The first F-35 fighter jets to arrive in Israel in December – their various components produced in 46 US states – will increase the clamour for the cutting-edge warplane.

Israel is also a “front-line laboratory”, as former Israeli army negotiator Eival Gilady admitted at the weekend, that develops and field-tests new technology Washington can later use itself.

The US is planning to buy back the missile interception system Iron Dome – which neutralises battlefield threats of retaliation – it largely paid for. Israel works closely too with the US in developing cyber­warfare, such as the Stuxnet worm that damaged Iran’s civilian nuclear programme.

But the clearest message from Israel’s new aid package is one delivered to the Palestinians: Washington sees no pressing strategic interest in ending the occupation. It stood up to Mr Netanyahu over the Iran deal but will not risk a damaging clash over Palestinian statehood.

Some believe that Mr Obama signed the aid package to win the credibility necessary to overcome his domestic Israel lobby and pull a rabbit from the hat: an initiative, unveiled shortly before he leaves office, that corners Mr Netanyahu into making peace.

Hopes have been raised by an expected meeting at the United Nations in New York on Wednesday. But their first talks in 10 months are planned only to demonstrate unity to confound critics of the aid deal.

If Mr Obama really wanted to pressure Mr Netanyahu, he would have used the aid agreement as leverage. Now Mr Netanyahu need not fear US financial retaliation, even as he intensifies effective annexation of the West Bank.

Mr Netanyahu has drawn the right lesson from the aid deal – he can act against the Palestinians with continuing US impunity.

- See more at: http://www.jonathan-cook.net/2016-09-19/palestinians-lose-in-us-military-aid-deal-with-israel/#sthash.fL4Eq28N.dpuf

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RIP - Leonard Cohen Dead at 82

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November 11, 2016 "Information Clearing House" - "Rolling Stone" - Leonard Cohen, the hugely influential singer and songwriter whose work spanned nearly 50 years, died Monday at the age of 82. Cohen's label, Sony Music Canada, confirmed his death on the singer's Facebook page Thursday evening.

"It is with profound sorrow we report that legendary poet, songwriter and artist, Leonard Cohen has passed away," the statement read. "We have lost one of music's most revered and prolific visionaries. A memorial will take place in Los Angeles at a later date. The family requests privacy during their time of grief." A cause of death and exact date of death was not given.

November 11, 2016

 

Leonard Cohen Everybody Know Live 1988

 

"My father passed away peacefully at his home in Los Angeles with the knowledge that he had completed what he felt was one of his greatest records," Cohen's son Adam wrote in a statement to Rolling Stone. "He was writing up until his last moments with his unique brand of humor."
 

"Unmatched in his creativity, insight and crippling candor, Leonard Cohen was a true visionary whose voice will be sorely missed," his manager Robert Kory wrote in a statement. "I was blessed to call him a friend, and for me to serve that bold artistic spirit firsthand, was a privilege and great gift. He leaves behind a legacy of work that will bring insight, inspiration and healing for generations to come."
 

Cohen was the dark eminence among a small pantheon of extremely influential singer-songwriters to emerge in the Sixties and early Seventies. Only Bob Dylan exerted a more profound influence upon his generation, and perhaps only Paul Simon and fellow Canadian Joni Mitchell equaled him as a song poet. 

Cohen's haunting bass voice, nylon-stringed guitar patterns and Greek-chorus backing vocals shaped evocative songs that dealt with love and hate, sex and spirituality, war and peace, ecstasy and depression. He was also the rare artist of his generation to enjoy artistic success into his Eighties, releasing his final album, You Want It Darker, earlier this year.

"I never had the sense that there was an end," he said in 1992. "That there was a retirement or that there was a jackpot."
 

"For many of us, Leonard Cohen was the greatest songwriter of them all," Nick Cave, who covered Cohen classics like "Avalanche," "I'm Your Man" and "Suzanne," said in a statement. "Utterly unique and impossible to imitate no matter how hard we tried. He will be deeply missed by so many."
 

Leonard Norman Cohen was born on September 21st, 1934, in Westmount, Quebec. He learned guitar as a teenager and formed a folk group called the Buckskin Boys. Early exposure to Spanish writer Federico Garcia Lorca turned him toward poetry – while a flamenco guitar teacher convinced him to trade steel strings for nylon. After graduating from McGill University, Cohen moved to the Greek island of Hydra, where he purchased a house for $1,500 with the help of a modest trust fund established by his father, who died when Leonard was nine. While living on Hydra, Cohen published the poetry collection Flowers for Hitler (1964) and the novels The Favourite Game (1963) and Beautiful Losers (1966).

Frustrated by poor book sales, and tired of working in Montreal's garment industry, Cohen visited New York in 1966 to investigate the city's robust folk-rock scene. He met folk singer Judy Collins, who later that year included two of his songs, including the early hit "Suzanne," on her album In My Life. His New York milieu included Andy Warhol, the Velvet Underground, and, most importantly, the haunting German singer Nico, whose despondent delivery he may have emulated on his exquisite 1967 album Songs of Leonard Cohen.
 

Cohen quickly became the songwriter's songwriter of choice for artists like Collins, James Taylor, Willie Nelson and many others. His black-and-white album photos offered an arresting image to go with his stark yet lovely songs. His next two albums, Songs From a Room (1969) and Songs of Love and Hate (1971), benefited from the spare production of Bob Johnston, along with a group of seasoned session musicians that included Charlie Daniels.
 

During the Seventies, Cohen set out on the first of the many long, intense tours he would reprise toward the end of his career. "One of the reasons I'm on tour is to meet people," he told Rolling Stone in 1971. "I consider it a reconnaissance. You know, I consider myself like in a military operation. I don't feel like a citizen." His time on tour inspired the live sound producer John Lissauer brought to his 1974 masterpiece, New Skin for the Old Ceremony. However, he risked a production catastrophe by hiring wall-of-sound maximalist Phil Spector to work on his next album, Death of a Ladies Man, whose adversarial creation resulted in a Rolling Stone review titled "Leonard Cohen's Doo-Wop Nightmare."
 

Cohen's relationship with Suzanne Elrod during most of the Seventies resulted in two children, the photographer Lorca Cohen and Adam Cohen, who leads the group Low Millions. Cohen was well known for his wandering ways, and his most stable relationships were with backing singers Laura Branigan, Sharon Robinson, Anjani Thomas, and, most notably, Jennifer Warnes, who he wrote with and produced (Warnes frequently performed Cohen’s music). After indulging in a variety of international styles on Recent Songs (1979), Cohen accorded Warnes full co-vocal credit on 1984's Various Positions.
 

Various Positions included "Hallelujah," a meditation on love, sex and music that would become Cohen's best-known composition thanks to Jeff Buckley's incandescent 1994 reinterpretation. Its greatness wasn't recognized by Cohen's label, however. By way of informing him that Columbia Records would not be releasing Various Positions, label head Walter Yetnikoff reportedly told Cohen, "Look, Leonard; we know you're great, but we don't know if you're any good." Cohen returned to the label in 1988 with I'm Your Man, an album of sly humor and social commentary that launched the synths-and-gravitas style he continued on The Future (1992).
 

In 1995, Cohen halted his career, entered the Mt. Baldy Zen Center outside of Los Angeles, became an ordained Buddhist monk and took on the Dharma name Jikan ("silence"). His duties included cooking for Kyozan Joshu Sasaki Roshi, the priest and longtime Cohen mentor who died in 2014 at the age of 104. Cohen broke his musical silence in 2001 with Ten New Songs, a collaboration with Sharon Robinson, and Dear Heather (2004), a relatively uplifting project with current girlfriend Anjani Thomas. While never abandoning Judaism, the Sabbath-observing songwriter attributed Buddhism to curbing the depressive episodes that had always plagued him.

The final act of Cohen's career began in 2005, when Lorca Cohen began to suspect her father's longtime manager, Kelley Lynch, of embezzling funds from his retirement account. In fact, Lynch had robbed Cohen of more than $5 million. To replenish the fund, Cohen undertook an epic world tour during which he would perform 387 shows from 2008 to 2013. He continued to record as well, releasing Old Ideas (2012) and Popular Problems, which hit U.S. shops a day after his eightieth birthday. "[Y]ou depend on a certain resilience that is not yours to command, but which is present," he told Rolling Stone upon its release. "And if you can sense this resilience or sense this capacity to continue, it means a lot more at this age than it did when I was 30, when I took it for granted."

When the Grand Tour ended in December 2013, Cohen largely vanished from the public eye. In October 2016, he released You Want It Darker, produced by his son Adam. Severe back issues made it difficult for Cohen to leave his home, so Adam placed a microphone on his dining room table and recorded him on a laptop. The album was met with rave reviews, though a New Yorker article timed to its release revealed that he was in very poor health. "I am ready to die," he said. "I hope it's not too uncomfortable. That's about it for me."

The singer-songwriter later clarified that he was "exaggerating." "I’ve always been into self-dramatization," Cohen said last month. "I intend to live forever.”

Suzanne (Rare Footage)

 

The Last Interview (September 2016)

 

 

 

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